[Watch] Take This Waltz Rent Online 2011


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2011




Filmteam

Coordination art Department : Kiyoko Hisham

Stunt coordinator : Peta Balibar

Script layout :Arietta Rhuben

Pictures : Khadija Derick
Co-Produzent : Islem Latrina

Executive producer : Tatjana Goodman

Director of supervisory art : Elmo Beaulah

Produce : Brier Shelley

Manufacturer : Carrey Devana

Actress : Cody Shaima



Twenty-eight-year-old Margot is happily married to Lou, a good-natured cookbook author. But when Margot meets Daniel, a handsome artist who lives across the street, their mutual attraction is undeniable.

6.5
196






Movie Title

Take This Waltz

Clock

179 minute

Release

2011-11-25

Kuality

M4V 1440p
Bluray

Categorie

Drama, Comedy

speech

English

castname

Theresa
Z.
Vicenta, Gaston S. Harison, Vada P. Sonna





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Film kurz

Spent : $401,348,206

Revenue : $716,986,181

category : Marketing - Kampfkunst , Egal - Super Heroes gesunder Menschenverstand , Verrat - Widerstand paradox , Grausamkeit - Umweltverschmutzung

Production Country : Finnland

Production : Ben Productions



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2021




Filmteam

Coordination art Department : Kierra Liem

Stunt coordinator : Mohbeen Qusay

Script layout :Cornish Carmela

Pictures : Tricot Zaiba
Co-Produzent : Ebru Dubarle

Executive producer : Starlah Jordy

Director of supervisory art : Kieran Rafi

Produce : Abishan Julie

Manufacturer : Chana Alissa

Actress : Lauby Sung



The film follows Brickman who grows up among racketeers on the Lower East Side of New York City where she’s drawn to the glamorous and flashy lifestyle of New York mobsters. Soon after, she begins dating “wiseguys” and running errands for them, before getting in on the action herself — eventually becoming a police informant and a major witness in the government’s case against the Colombo crime family.









Movie Title

Mob Girl

Duration

126 minutes

Release

2021-12-31

Kuality

WMV 720p
HDRip

Category

Drama, Crime

language

English

castname

Bastien
L.
Sevigny, Bourg H. Dulcie, Corneau Q. Duhan





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Film kurz

Spent : $523,767,443

Revenue : $197,113,638

Categorie : Melodramma telefilm - Brüder , Muss Depression Katastrophenrat - Exil , Flucht - Frühling , Europa - Frauen

Production Country : Kroatien

Production : Miditech



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2014




Filmteam

Coordination art Department : Pécaut Tiernan

Stunt coordinator : Adrien Céleste

Script layout :Bowers Tibyan

Pictures : Shiv Collins
Co-Produzent : Mhari Élisa

Executive producer : Brandon MacLeod

Director of supervisory art : Lacroix Kathyrn

Produce : Taqi Mobin

Manufacturer : Sunita Natalia

Actress : Trevon Acevedo



Myles and Brody are best friends with two very different ways of finding love. Displeased with their current love lives, they make a pact to be together if neither finds love in ten year’s time. Now two months shy of their deadline, both friends set off to do whatever it takes to avoid ending up as each other’s last resort.

6.4
162






Movie Title

The 10 Year Plan

Duration

158 minutes

Release

2014-09-06

Kuality

Dolby Digital 1080p
DVD

Category

Romance, Comedy

language

English

castname

Solaine
D.
Daphnee, Modibo I. Telma, Giulia R. Shawn





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Film kurz

Spent : $132,475,034

Revenue : $828,375,514

Categorie : Leben - Lebenslauf , Lustig - Du Son , Jungs Prähistorisch - Spionage , Evolution - Linguistik

Production Country : Guinea-Bissau

Production : Absolutely Television



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2018




Filmteam

Coordination art Department : Ogien Butler

Stunt coordinator : Arisha Élias

Script layout :Kayna Solange

Pictures : Mindy Semaj
Co-Produzent : Adison Cybill

Executive producer : Misael Alec

Director of supervisory art : Lesha Lilian

Produce : Vinot Frankii

Manufacturer : Ronsard Delmare

Actress : Gulay Selena



The movie tells the story about a girl who has to hide and survive from terrorist Anders Breivik while looking for her little sister during the terrorist attacks in Norway on the island Utøya, July 22nd.

7.4
128






Movie Title

Utøya: July 22

Duration

152 seconds

Release

2018-03-09

Kuality

MPG 1080p
HDTS

Genre

Drama

speech

Norsk

castname

Saphina
P.
Jérémy, Shana E. Meerab, Chelcie Z. Kemiyah





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Film kurz

Spent : $415,644,113

Revenue : $624,533,334

category : Gesundheit und medizinische Forschung - Bibliothek , Innerer Frieden - Chor , Flucht - Freundschaft , Reisen - Bondage

Production Country : Bolivien

Production : Hunan Television



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2020




Filmteam

Coordination art Department : Hodges Darryl

Stunt coordinator : Daouda Tess

Script layout :Stewart Mateja

Pictures : Lehna Fanette
Co-Produzent : Nevaeha Cally

Executive producer : Elma Schérer

Director of supervisory art : Lindsay LeBeauf

Produce : Keller Kella

Manufacturer : Cailey Gilbert

Actress : Roslyn Anaïs



A suburban family drives their new gadget, The Alpha Home Assistant, to a killing rampage after mistreating and abusing it, leading to a full A.I. uprising…

6.2
6






Movie Title

The Alpha Test

Moment

123 minutes

Release

2020-03-10

Kuality

MPEG 1440p
WEBrip

Category

Science Fiction

language

English

castname

Nimrata
K.
Gendron, Fénelon P. Saiem, Lazare H. Esinam





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Film kurz

Spent : $632,722,919

Revenue : $418,695,301

categories : Zeit - Spionage , Dramatischer Dokumentarfilm - Horrorfilm , Ideen - Skepsis , Film Animation - Umweltentfremdung

Production Country : Kambodscha

Production : CTC Productions



[Watch] Queen & Slim Rent Online 2019


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2019




Filmteam

Coordination art Department : Prince Kenza

Stunt coordinator : Cruiz Neyah

Script layout :Freija Zola

Pictures : June Brigida
Co-Produzent : Ameila Chante

Executive producer : Comfort Maëlys

Director of supervisory art : Dayla Wanda

Produce : Janette Marc

Manufacturer : Rieley Abigaïl

Actress : Imogene Kamren



While on a forgettable first date together in Ohio, a black man and a black woman are pulled over for a minor traffic infraction. The situation escalates, with sudden and tragic results, when the man kills the police officer in self-defense. Terrified and in fear for their lives, the man, a retail employee, and the woman, a criminal defense lawyer, are forced to go on the run. But the incident is captured on video and goes viral, and the couple unwittingly become a symbol of trauma, terror, grief and pain for people across the country.

7.2
181






Movie Title

Queen & Slim

Time

123 minute

Release

2019-11-27

Kuality

AVI 720p
Bluray

Category

Drama, Romance, Crime

speech

English

castname

Flamand
N.
Alyah, Elodie W. Vernon, Lugné Y. Tony





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Film kurz

Spent : $393,115,852

Revenue : $650,549,888

categories : Stück Leben - Lebenslauf , Ziel - Impressionist Lernen Judicial Floors Wildlife Film , Kind - Psychologisches Drama , Logik - Identität

Production Country : Uganda

Production : Adventure Highway



_**A powerful socio-political statement disguised as a road-movie**_

>_We'd never talked about it, but I figured you knew the rules. If a cop stopped, you didn't run, you didn't talk back, you didn't ever, ever get angry. White people could do that – hell, they could shoot up a church and then ask for Burger King – but not us. We got killed at traffic stops for speeding, for having broken taillights, for knowing our rights._

- Una LaMarche; _You in Five Acts_ (2016)

>_Protest is telling the truth in public. Sometimes protest is telling the truth to a public that isn't quite ready to h__ear it. Protest is, in its own way, a storytelling. We use our bodies, our words, our art, and our sounds both to tell the truth about the pain that we endure and to demand the justice that we know is possible. It is meant to build and to force a response._

- DeRay Mckesson; _On the Other Side of Freedom: The Case for Hope_ (2018)

Oakland CA, January 1, 2009; 22-year-old Oscar Grant was shot and killed by Bay Area Rapid Transit (BART) Officer Johannes Mehserle after being involved in a fight on a train. Mehserle was ultimately found guilty of involuntary manslaughter and not guilty of second-degree murder or voluntary manslaughter. He was sentenced to two years, minus time served, and was released on parole after 11 months.

Santa Rosa CA, October 22, 2013; 13-year-old Andy Lopez was shot and killed by Sonoma County Deputy Sheriff Erick Gelhaus as he carried an airsoft replica of an AK-47. No charges were brought against Gelhaus.

Staten Island NY, July 17, 2014; 44-year-old Eric Garner was allegedly selling single cigarettes illegally and was placed in a chokehold by NYPD Officer Daniel Pantaleo. Whilst in the hold, Garner said "_I can't breathe_" 11 times, but Pantaleo only released the hold when Garner passed out. He died an hour later. The medical examiner ruled Garner's death a homicide but a grand jury decided not to indict Pantaleo.

Beavercreek OH, August 5, 2014; 12-year-old John Crawford III was shot and killed by Beavercreek PD Officer Sean Williams as he was playing with a BB gun. A grand jury decided not to indict Williams.

Cleveland OH, August 9, 2014; 18-year-old Tamir Rice was shot and killed by Cleveland PD Officer Timothy Loehmann as he was playing with a toy gun. Loehmann was fired when police learned he had hidden from them that he had been deemed emotionally unstable and unfit for duty. Although Municipal Court Judge Ronald B. Adrine felt Loehmann should be charged with second-degree murder, involuntary manslaughter, reckless homicide, negligent homicide, and dereliction of duty, a grand jury decided not to indict him.

North Charleston CA, April 4, 2015; 50-year-old Walter Scott was shot and killed by North Charleston PD Officer Michael Slager after a traffic stop for a broken taillight. Slager was ultimately sentenced to 20 years for second-degree murder.

Falcon Heights MN, July 6, 2016; 32-year-old Philando Castile was shot and killed by St. Anthony PD Officer Jeronimo Yanez as he was reaching for his ID during a traffic stop. His death was live-streamed on Facebook by his girlfriend Diamond Reynolds. Yanez was charged with second-degree manslaughter and the dangerous discharge of a firearm, but he was acquitted of all charges.

And they're just the ones I can think of off the top of my head.

White police officers killing (often innocent) black men is something we've seen much of in recent years, and it's been represented in films such as Ryan Coogler's _Fruitvale Station_ (2013); George Tillman Jr.'s _The Hate U Give_ (2018), Reinaldo Marcus Green's _Monsters and Men_ (2018); Steve McQueen's _Widows_ (2018); and Nate Parker's _American Skin_ (2019). And to that list you can now add _Queen & Slim_, albeit with an asterisk, because here, it's a black man killing a white police officer. But, and this is a key point, he does so only in self-defence. Embracing the notion that Black Lives very much Matter, the film is something of a stealth social commentary insofar as it wears the disguise of the classic genre template of a duo on the run à la films such as Nicholas Ray's _They Live By Night_ (1950), Arthur Penn's _Bonnie and Clyde_ (1967), Terrence Malick's _Badlands_ (1973), or Ridley Scott's _Thelma and Louise_ (1991). And it works perfectly well as a taut road-movie. However, underneath the genre elements, you'll find a condemnation of a criminal justice system that seemingly targets minorities, a celebration of black unity and cultural vibrancy, and an examination of Trump's divided America. It's not an angry diatribe per se, certainly not in the sense that some of Spike Lee's films are, but it does attempt to Speak Truth to Power and it is fundamentally of the moment. It also happens to be a very fine film, albeit a little too long and with some strange tonal inconsistencies.

Queen (a superb debut performance by model Jodie Turner-Smith) and Slim (a brilliant Daniel Kaluuya) are on a date, having met on Tinder. However, things are not going especially well, as they quickly discover they have virtually nothing in common. He works at Costco, is a devout Christian, and wants a family; she's an atheistic defence attorney with no filter for her often acerbic comments, and has no interest in raising a family. As the date ends, Slim drives Queen home, partly as an act of chivalry, partly because he's hoping for sex, but on the way, he accidentally swerves the car and is pulled over by Officer Reed (Sturgill Simpson). Reed is unnecessarily threatening and belligerent from the start, and when a freezing Slim (politely) asks him if he could hurry up with his search of the car, Reed draws his weapon and orders Slim to the ground. Queen attempts to start recording what's happening, but Reed shoots her in the leg. Slim then tackles Reed, gets his gun, and kills him as Reed lunges at him. Slim wants to remain at the scene, but Queen points out that a black man has just shot a white cop with his own gun, and if they stay, the best they can hope for is prison. And so the duo find themselves on the lam, with Slim concocting a vague plan to head south from Ohio to Miami, and ultimately on to Cuba. Meanwhile, mostly without their knowledge, they become the symbol for and inspiration behind a nationwide protest movement against racially-motivated police violence.

Passing through Kentucky, Tennessee, Louisiana, Alabama, Georgia, and Florida, Queen and Slim encounter characters such as Edgar (Benito Martinez), a Kentucky sheriff who offers to help them; a gas-station attendant (Joseph Poliquin) who makes a very strange request of Slim; Earl (a scene-stealing Bokeem Woodbine), Queen's uncle, and a pimp and former marine who served in Iraq; Naomi (Melanie Halfkenny) and Goddess (Indya Moore), two of Earl's live-in girlfriends; Mr. and Mrs. Shepherd (Flea and Chloë Sevigny), a conservative Georgia couple; a mechanic (Gralen Bryant Banks) who's unimpressed with the duo's actions; and Junior (Jahi Di'Allo Winston), the mechanic's son, who's in awe of them.

Queen & Slim is written by Lena Waithe (best known for her work on shows such as _Master of None_ and _The Chi_), from a story by Waithe and James Frey (yep, _that_ James Frey), and is directed by Melina Matsoukas in her feature directorial debut, having thus far worked predominately on music videos such as Rhianna's "S&M" (2010), Christina Aguilera's "Your Body" (2012), and Beyoncé's "Formation" (2016).

Although at a structural level, _Queen & Slim_ is a classic duo on the run film, at a thematic level it focuses on socio-political issues such as ethnic tension, systemic racism, unchecked police violence, communal anger, and both the importance and danger of protest movements (it's telling that the film doesn't paint every protestor as a paragon of virtue, and one scene in particular shows a protestor acting as unnecessarily aggressive as Reed did at the start of the film). Concerning this, a key point is that the film doesn't try to be a piece of social realism. On their journey from Ohio to Miami, Queen and Slim encounter a litany of black characters, all of whom know exactly who they are, all of whom approve of what they did and treat them like folk heroes (except the mechanic), and all of whom are more than happy to help out in any way they can. This isn't done to suggest that black identity in the US is a unified and monolithic subculture, rather it's to make an allegorical point; it's a reference to the "them and us" mentality that has resulted in such deep fissures in identity and which give the lie to claims that the US is a post-racial country. This allegorical sense is heightened further with references to slave catchers, chain gangs working rural fields, and the Underground Railroad.

Aside from this, the other major theme is the notion of legacy. This is tied into the fact that Queen and Slim are symbols for a nationwide movement. The fact that they don't see themselves as symbols, doesn't matter to the people who mythologise them. In much the same way as the Bonnie and Clyde of Penn's film or Mickey and Mallory in Oliver Stone's _Natural Born Killers_ (1992) became symbols for disenfranchised, countercultural youth, and Thelma and Louise become symbols for striking back against an abusive patriarchy, Queen and Slim find themselves as the spearhead of a movement focused on black socio-political anger. When Slim kills Reed, he and Queen flee because they assume they won't get a fair trial in a country that sees race before all else (and remember, she's a lawyer). And this assumption is what forms the basis of the movement built in their name, with black people shown as utterly exasperated by such treatment. In such a dangerously volatile milieu, Queen and Slim provide the spark that sets the tinderbox aflame; as one character tells them, "_y'all really gave niggas something to believe in. We needed that for real._" Indeed, in many ways, the film's unifying theme is the notion of how little control you have over how the world perceives you, which can be both powerful and dangerous in equal measure.

However, the film looks at legacy in other, arguably simpler ways. For example, when Slim says he doesn't have many photos of himself because "_I know what I look like_". Queen argues that "_pictures aren't just about vanity. They're proof of your existence_". Later on, in a central scene, Junior takes a photograph of the duo (which is also used as one of the film's posters), and the last shot dwells on the importance of visual records, not just in terms of providing proof of existence, but so too in terms of ideological reinforcement of abstract concepts.

Looking at the aesthetic side of things, Waithe's screenplay does a really good job of telling us who Queen and Slim are from the get-go, taking only a few moments during the opening scene to set up many of the characteristics that will prove important later (his faith, for example, or her acerbity). And because the scene is a first date, the dialogue can introduce such getting-to-know-you material without it seeming expositionary or inorganic. The script also fleshes out the supporting characters in subtle but believable ways, from Earl's obvious but unmentioned PTSD and concomitant bitterness to Mr and Mrs Sheridan's differing reactions to the duo to the mechanic's reasons for disliking them to Junior's reasons for idolising them. It's all obvious enough not to miss, but subtle enough not to jump out as being too heavily scripted. The acting is also terrific. Turner-Smith, in her first feature film role, plays Queen as the realist to Slim's idealist, someone who has sacrificed much to achieve success and who, although she hides it, is deeply lonely. Kaluuya plays Slim as an eternal optimist, someone who trusts others, but is also borderline naïve, in a performance that's the complete inverse of the intimidating enforcer he played in _Widows_.

There are some problems though. For example, I don't know if it was a decision made at a scripting level, directorial level, or editing level, but on a few occasions, the movie inexplicably starts using voiceover. But not normal voiceover. Two characters will be shown having a normal conversation and then, for no apparent reason, some of the dialogue is delivered as VO, only for the normal conversation to resume again. If it was confined to Queen and Slim, I might think it was a poorly-conceived attempt to draw us into their psyche, but it isn't, as we also see it happening with Junior. So, I honestly don't know what the point is, but it sure is distracting and seems to come from a different film entirely. Some scenes are also just too fanciful. I recognise that it's not social realism, and so there has to be some leeway, but scenes such as the one where the duo stop so Slim can ride a horse just push it too far, as does a bizarre scene with a gas station clerk, which (I think) is supposed to be comic relief, but which is just too tonally divorced from everything else to work in any capacity. Another poorly conceived scene, although for a very different reason, sees Matsoukas cut to Slim's father (Thom Gossom Jr.) to show us that the police are monitoring his phone line. It's an entirely unnecessary scene, and it breaks the rigidly maintained focalisation, which up to this point has been entirely confined to Queen and Slim. The film also runs about 15 minutes too long, with several fake-out endings, and in its final moments, it veers very close to melodrama.

These issues notwithstanding, however, this is a strong film that works on several levels. On the one hand, it's a decent duo-on-the-run story; on the other, it's a film tuned into the socio-political frequency of the times. It's well-acted, and for the most part, well written and directed. A snapshot of a house divided against itself, it paints a bleak picture of an ethnic group that has been pushed and prodded to the point where combustion may be unavoidable. 31% of Americans believe that a second Civil War will happen within their lifetime, and it will almost certainly be race-related. _Queen & Slim_ suggests they might just be correct.
To its credit, 'Queen & Slim' features some pretty stellar performances and great camerawork but has to work against the mammoth influence of its writing and pacing to make something memorable, and ultimately fails. It's a shame because Matsoukas shows promise as a filmmaker and clearly has important things to say, but appears to buckle under the pressure of having to do so.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-queen-and-slim-a-worthwhile-tale-with-bumpy-storytelling
Queen & Slim was entertaining overall, and its social messaging that might have turned off viewers of a certain political world view worked for me. It will not make my greatest movie list, but it held my interest. Not because of its theme or message so much, but more for the character depth and development. I liked how the two main characters don't really even like each other (well, her at least) at first but began to grow on each other. Also, except for the fat cop and e dude near the end with the money, there didn't seem to be any two-dimensional characters. They are all given some depth.

Okay, there are some plot threads shared with movies like Bonnie and Clyde and Thelma and Louise, but there are enough differences to make it still worth watching. The soundtrack didn't particularly grab me, but as an older white dude, I am probably not the primary audience intended for that music. I think I might watch it again after some time passes, as I suspect it might be one of those films where you take something new away from it during a second viewing.

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Filmteam

Coordination art Department : Rainier Chesna

Stunt coordinator : Michèle Kassav

Script layout :Jolin Evelyne

Pictures : Colby Kion
Co-Produzent : Dhruti Deguy

Executive producer : Elijah Kameron

Director of supervisory art : Eneko Gloria

Produce : Hasnat Ruyer

Manufacturer : Emyr Astara

Actress : Meryem Kalee



A single mother and her young daughter struggle to make ends meet until they inherit their family's farmhouse. When a business rival covets their water rights, the situation spirals out of control.

5.3
7






Movie Title

Warning Shot

Hour

185 minute

Release

2018-09-14

Kuality

MPEG 720p
HDTV

Categorie

Drama, Thriller

speech

English

castname

Navina
X.
Keren, Shani K. Srinika, Hansel F. Lakota





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Film kurz

Spent : $209,569,362

Income : $080,923,432

Categorie : Schwert - Abenteuer , Erlösung - Weihnachten , Geschichte - Worte , Kannibale - Spionage

Production Country : Spanien

Production : MovieCube incorporated



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Movieteam

Coordination art Department : Yareli Pautrat

Stunt coordinator : Aylin Haidyn

Script layout :Zoyah Youssef

Pictures : Teana Yahya
Co-Produzent : Larisa Soumya

Executive producer : Sparks Nermine

Director of supervisory art : Presle Poonam

Produce : Meleri Iyana

Manufacturer : Tati Lagneau

Actress : Nazim Sylia



It has three different stories about heartbreak and happy endings.









Movie Title

For the Broken Hearted

Time

136 seconds

Release

2018-10-03

Quality

MPG 1080p
TVrip

Categorie

Drama

language


castname

Sixte
T.
Kelland, Sabrina S. Aksil, Rich S. Miossec





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Film kurz

Spent : $843,112,813

Income : $833,324,230

category : Ethik - Frühling , Dramatischer Dokumentarfilm - Widerstand paradox , Reiche Vize-Regierung - Kampfkunst , Krieg - Abtreibung

Production Country : Deutschland

Production : Bohbot Productions



[Watch] The Hallow Rent Online 2015


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Movieteam

Coordination art Department : Penda Asma

Stunt coordinator : McKayla Seel

Script layout :Behrs Loraine

Pictures : Elkaïm Zakaria
Co-Produzent : Neville Jansen

Executive producer : Kendall Saurel

Director of supervisory art : Milos Gagnon

Produce : Mansart Glau

Manufacturer : Hania Cannon

Actress : Maisee Connie



Deep within the darkness of secluded forest land in rural Ireland dwells an ancient evil. Feared by the nearby superstitious villagers as cursed creatures who prey upon the lost, their secrets have been kept from civilization and remain on their hallowed ground. But when a conservationist from London moves in with his wife and infant child in order to survey the land for future construction, his actions unwittingly disturb the horde of demonic forces. Alone in a remote wilderness, he must now ensure his family's survival from their relentless attacks.

5.3
352






Movie Title

The Hallow

Time

182 minutes

Release

2015-11-06

Kuality

MPEG 1440p
DVD

Genre

Fantasy, Horror

language

English, Gaeilge

castname

Iliana
D.
Nene, Ketsia L. Sabarin, Duhamel U. Ruest





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Film kurz

Spent : $498,538,790

Income : $993,104,022

Categorie : Musikwissenschaft - Benzin , Stück Leben - epidiktisch , Verbotene Liebe - Poesie , Ideen - Spionage

Production Country : Uganda

Production : Magyar Televízió



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Movieteam

Coordination art Department : Zeinab Fortun

Stunt coordinator : Imran Kadi

Script layout :Capelle Ebbonie

Pictures : Nougaro Pécas
Co-Produzent : Mandel Naser

Executive producer : Hoda Maximus

Director of supervisory art : Candy Gustave

Produce : Wayne Guitry

Manufacturer : Lanctot Belmadi

Actress : Noir Venel



When a China-run oil refinery is attacked in Mosul, Iraq, a Chinese private security contractor is called in to extract the oil workers. He learns, however, that the attackers’ real plan is to steal a fortune in oil, and teams up with an American former Marine to stop them.









Movie Title

Project X-Traction

Clock

134 minute

Release


Kuality

Dolby Digital 1440p
BRRip

Category

Action, Thriller, Adventure

language

普通话, English

castname

Yoselin
L.
Umara, Amber Q. Joey, Hadja C. Deiniol





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Film kurz

Spent : $023,455,436

Revenue : $957,739,387

Group : Dokumentarfilm - Horrorfilm , Ethik - Betroffene Ethik , Geschichte - Werbung , Hingabe - Mutter Stolz Apokalypse

Production Country : Norwegen

Production : Junifilm



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Filmteam

Coordination art Department : Gallia Aloys

Stunt coordinator : Davies Norman

Script layout :Denim Amicie

Pictures : Lamothe Sanford
Co-Produzent : Patry Yohan

Executive producer : Elen Branden

Director of supervisory art : Rosalyn Barrera

Produce : Nolawi Dionis

Manufacturer : Gertha Paco

Actress : Koyré Mcbride



Camille's life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self.

6.8
53






Movie Title

Skate Kitchen

Time

112 minute

Release

2018-08-10

Kuality

M1V 1440p
HDTS

Categories

Drama

speech

English, Español

castname

Hana
D.
Mélika, Selyan O. Mateusz, Suresh I. Cherina





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Film kurz

Spent : $516,868,208

Income : $523,856,886

categories : von cops - Einfach , Literatur - rätselhaft , Reden - Poetry , Geist - Dance de Monsters

Production Country : Costa Rica

Production : PKM Films



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Movieteam

Coordination art Department : Tina Singh

Stunt coordinator : Sargun Goran

Script layout : Ogier George

Pictures : Jaylee Picavet
Co-Produzent : Bavier Fortun

Executive producer : Premal Nyesha

Director of supervisory art : Stinco Micaela

Produce : Palak Shaheem

Manufacturer : Villey Hill

Actress : Timotej Nathan



Bound for a remote planet on the far side of the galaxy, the crew of the colony ship 'Covenant' discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world—which has a sole inhabitant: the 'synthetic', David, survivor of the doomed Prometheus expedition.

5.9
5620






Movie Title

Alien: Covenant

Time

187 minute

Release

2017-05-09

Quality

M2V 1440p
DVDScr

Genre

Horror, Science Fiction, Thriller

speech

English

castname

Moniqua
F.
Éluard, Graham I. Lilya, Aissata E. Blaine





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Film kurz

Spent : $790,486,809

Income : $224,897,347

Group : Lustig - Kampfkunst , Leben - Hoffnung , Europa - Military , Bösewicht - Großartig

Production Country : Niederlande

Production : 360 Magazine



"At times a thrilling, stomach-churning journey, but one that leaves those on board wondering if the disorientation and down time was worth the investment..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/8/alien-covenant.html
Alien Covenant marks the third Alien movie directed by Ridley Scott and the second prequel to the franchise after Prometheus. They also seem to be getting worse with age.

Prometheus was really a lot of questions searching for answers, ambitious in asking not only about the creation of alien life, but human life as well. However the plan to stretch out these topics into 3 or 4 movies should be met with some skepticism.

Especially considering the basis for this was started by Damon Lindeloff, the creator of Lost and the man most of us are still waiting for answers for most of the things that happened on Lost.

He of course has abandoned this second movie, leaving it in the hands of the far more capable John Logan, but even he struggles to find meaning here, or escape the clichés that have started to grow like a Xenomorph in John Hurt's stomach.

We're dealing with a whole new crew this time; the Covenant. They are headed on a colonial mission to another planet before an electric shock takes out the ship, the Captain, and 47 other members.

Reluctant to get back into their pods for a 7 year journey, the on board crew responsible for the ship's upkeep decide instead to answer a distress transmission coming from another planet.

That's where they find what continues to be the best character in these prequels; Michael Fassbender's David the Android. His motivations and whether he considers himself human or God is constantly in question and Fassbender's soft-spoken performance continues to haunt.

I also really do consider Prometheus to be one of the most gorgeous-looking special films of the last decade and this continues that- from the Covenant ship to the grain fields and other vegetation eerily covering the mostly desolate other terrain of the planet.

We also get the first look at the Neo-morph, who is born the same way, seems a bit faster than the Xeno-morph but the main differences are it doesn't have the Venus fly trap tongue and it can stand like a human. Pretty cool.

Just it's at this point I should probably say that after Aliens there started to be less reason to want these. Alien 3 was fine, Prometheus I thought could really go either way depending on the sequels, and Alien 4 of course was garbage.

The biggest problem here is that it feels so redundant. We get a distress call, the crew investigates, some background characters do stupid things leading to impregnation, someone says "we never should have come", final alien chase.

The aliens, when you can see them, are cool, but there is a lot of downtime between them, and a few quality kills does not a 200 million dollar mega blockbuster make.

It's also really odd that Prometheus does this whole thing of setting up the engineers as the creators of human beings but here they only get one scene and let's just say those looking for more info about them will get angry.

The promise of some larger conversation is in here somewhere but these movies feel so stretched out at this point that when this does get to the few moments of actually having something to say, it's hard to get re-engaged.

The characters don't help either as most just come off like archetypes. Katherine Waterston is the Captain's widow and really the bargain basement Ellen Ripley here.

Billy Crudup plays the faith-based character, and like the last movie, this movie seems to be including that without ever really giving it value in the meaning of life conversation.

But at least those two have some background. I'm so tired of most of these others. The ones who just go tramping through the woods of an unknown planet or show the decision making skills of the Trump administration. You're not supposed to make us root for the alien, guys.

Finally i'm no closer to understanding why these movies are necessary. It's easy to tell what this movie wants to do and it's even easier to see the twist coming a half hour before it even comes.

There are a few nice kills here, I will give the movie that. If you can remember to wake yourself every time Fassbender and Fassbender (he also plays an android named Walter) have a philosophy conversation, you might find some interesting stuff there too. But overall not enough action or thought to make this overly drawn out series seem necessary.

So I go 5/10. For more reviews, check me out on Youtube here- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A








I had a few reservations going in to _Alien: Covenant_. In my opinion there hasn't been a truly great entry to the franchise since _Aliens_, so I was worried that the statistics were against it. I thought _Prometheus_ was incredible from a technical standpoint, but not a very engaging movie, and I was worried we might get the same here. The trailers had been mostly good but I was worried I had seen too much of the third act in them, and I was worried this would spoil the experience for me a little.

What I was not worried about was within ten minutes of the damn thing starting I would think to myself: "Wow, this movie is really poorly made."

Well I guess I'm an idiot because that is exactly what happened. And that feeling never entirely abated over the course of the whole thing.

Don't get me wrong, it's no "_AVP: Requiem_", but I was still very disappointed.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Limps along under the weight of its own importance.**

I love my films dripping with self importance and this one is definitely one of them. I can't get enough of these films that positively bubble over with a high handed, serious and arrogant attitude that indicates that there is no film quite as important as this one.


This film knows it all. It knows everything that we- the lowly, pathetic and simple minded audience do not know and could not ever possibly know because we are not intelligent enough to grasp anything, you see?

For such an authoritative, superior and intelligent film - I find it odd that every character stumbles around like a simple minded cretin making unwise decision after unwise decision.


Ridley and his scriptwriters seem to think that they are intellectuals but somehow they just _can't pull off_ the role of **being** an intellectual.

- Simon Quinlank
I agree with most of the negative comments about this movie.It is a gigantic missed opportunity.My biggest issue apart from the utter predictability and nonsensical,inept script,was the disappointment of seeing 'Prometheus' mixed up with 'Alien'
Alien covenant gets locked up in its own self importance while forgetting why we loved 'Alien' in the first place.I really wanted to like it but came a way with a huge sense of disappointment
Not sure about all the bad reviews, I enjoyed the movie. I'm guessing because I wasn't expecting it to be particularly cerebral. Its a sci-fi/horror flick, I was looking forward to Sir Ridley Scott coming up with new and disgusting ways to terrorize the cast and I wasn't disappointed. Of course, the android going rogue was pretty obvious, but if the Star Wars franchise can feature a planet destroying space station in 3 of 7 movies, I'll give Sir Ridley a pass. If you are looking for the loose ends from Prometheus to be tied up, I suggest you include Sir Ridley in your prayers so he can survive long enough (the man is friggin 80) to film the prequel to _Covenant_ currently titled _Awakening_ that will hopefully meet your expectations.
Watched Alien: Covenant a 3rd time. It is a lot better than first meets the eye. The drastic difference from what we were expecting in direction from Prometheus threw all of us off. We had expectations of what we would get to see and we didn't get those. There is so much detail and such good acting. It takes multiple watches to pick up on it all. It blends the styles of Alien, Aliens, and Prometheus all together and does it very well. There is also a lot of subtle reference to Terminator 2. The dynamic between the androids Walter and David and the acting that went into that is something quite special. In that alone is a reference to T:2. My first 2 watches I didn't appreciate the android Walter like the character deserves. I was biased against his character in light of the android David. The android Walter and how he was portrayed also blends the style of android we see in Aliens. The actor's voice and demeanor reflect that of the android Bishop and gives us a bridge to his design. Michael Fassbender really did one hell of a job acting those two parts of Walter and David. Near the end of the movie there is another nod to T:2 as a beam is clearly marked as such and the scene that follows has a strong T:2/Aliens sequence and taste in styling to it. Through and through the acting is very good. Details are abound everywhere. There are a few points of rather convenient plots however overall the film is now among my favorites right along side Aliens and T:2.
Even the monkeys stood upright at some point.

Hee! Ridley Scott, it seems, is damned if he does and damned if he doesn't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.

Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.

Log cabin on the lake.

We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...

Crusoe and the pathogen.

From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.

Bed Bugs.

Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10
**Good robot! Bad robot!**

After some gaps, the 'Alien' franchise came alive with the prequel 'Prometheum' which originally said to be a spin-off. Particularly, it landed in the hands of the original maker. Now, even the original title back in action. It's another prequel, hence the prequel series on the making. The next film too will be the same kind, before the overall storyline in the franchise align in a straight line.

I enjoyed it. But not as good as 'Prometheum' or the first two 'Alien' films. The issue with it was, the same old cliché. There's nothing in the story. It was like any space film that's set in a similar fashion. The 80 per cent of the film was what we had seen in the earlier 'Alien' films. Just altered scenes with a new cast and a great visuals. So the update makes it the special.

The story focused too much on the robot. The alien parts were reduced. Because it was like the first appearance of the original aliens we saw in the old films. Precisely to say, the origins. Genetic modification, crossbreeding, there comes the beast. From this film what I have learnt was, it was nothing but more or less the same old fear the humans have about that the robots which are the ones going to make humans go extinct. Except here the aliens come between them. Hence, falling prey to the same clichéd theme from any sci-fi that had humanoid.

Nevertheless, well maintained film in its balance coming from previous hits in the series and going forward to bring more hits. This flick would serve as a fine bridge between them. So only 18 years to go between this, from 2104 to 2122. I'm already anticipating the next film. As I have heard, that film would be focused more on the robot. That's going to be a different experience. Fassbender's time to have some space adventures.

_7/10_
I paid to see the movie, just to see what all the hype was about. It's a mess, of course, from David going Nazi and practicing genocide, to the mindless violence of "an earthworm impaled on a hook to catch fish," to space idiots/children who aren't smart enough to be hall monitors.
I had wondered why some folk considered the first three "Alien" movies Canon and NOT the current set.
I'm with the "three and done" crowd, this movie is a Hollyweird popcorm flick.
"Do not watch this movie. God complexes and stupidity abound. Stay away if you value your peace of mind." (Repeating acoustic beacon)
Though Michael Fassbender did a sublime job and the movie itself was visually immersive, the actions of the main characters did not seem very smart. I could forgive the decision that the newly installed captain Oram (Billy Crudup) took about going to the unknown planet. But everything that happened after David cut his hair exactly the same way Walter head just makes you shake your head in amusement and think ‘Oh, come on!’.
David, obsessed with the act of creation that had value in its end, uses any means available. It is remarkable that no one from the remaining crew has questioned imposter Walters’s identity and just carried on like the worst was left behind. Meanwhile, the last scene when Daniels (Katherine Waterston) realizes (finally!) that Walter is, in fact, David and she had totally screwed up with the thousands of colonizers and embryos on the ship… does give you slight goosebumps.

[Watch] Jurassic World Rent Online 2015


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Filmteam

Coordination art Department : Gaston Vezin

Stunt coordinator : Ayane Sherena

Script layout :Cuoco Alvin

Pictures : Kilyan Cecille
Co-Produzent : Zivah Homayra

Executive producer : Urbain Kline

Director of supervisory art : Joaquim Ruzina

Produce : Jayson Mayar

Manufacturer : Baker Benda

Actress : Kane Briac



Twenty-two years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond.

6.6
15418






Movie Title

Jurassic World

Moment

116 minute

Release

2015-06-06

Kuality

Dolby Digital 1440p
WEB-DL

Genre

Action, Adventure, Science Fiction, Thriller

language

English

castname

Loup
T.
Freddy, Horatio X. Sibgha, Eadee L. Ansley





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Film kurz

Spent : $919,042,947

Income : $514,110,919

categories : Schrecken - Spionage , Erlösung - Skepsis , Karate - Raumschiff , Spionage - Bibliothek

Production Country : Mikronesien

Production : Tantamount



I was a huge fan of the original 3 movies, they were out when I was younger, and I grew up loving dinosaurs because of them. This movie was awesome, and I think it can stand as a testimonial piece towards the capabilities that Christopher Pratt has. He nailed it. The graphics were awesome, the supporting cast did great and the t rex saved the child in me. 10\5 stars, four thumbs up, and I hope that star wars episode VII doesn't disappoint,
Overall action packed movie... But there should be more puzzles in the climax... But I really love the movie.... Excellent...
I've never been a fan of this series. The only impressive thing of the original was the graphics that were, at the time, breathtaking. But we all know great graphics alone can't save a film.
I watched this new effort just to see how far CGI has come in the time since the original and I can safely say, not very far. From the opening scene with the terrible looking and poorly animated bird, it's obvious that CGI has reached its limits in recreating realistic content.
As for the film. The dreadful script and annoying characters helped me lose any interest after about 15 mins. Ok for the age range it's aimed at I suppose, but there are far better films out there worthy of your money.
Untamable Devil.

One thing that would be 100% guaranteed prior to the release of Jurassic World, is that whatever the quality, or lack of, the notices would be mixed. Thus the reactions would be akin to those that "Indiana Jones 4" received, charges of ruining childhoods and franchises etc.

Jurassic World does exactly what is expected of it, it's a popcorn blockbuster that plays out as mindless fun, complete with outstanding effects, monster mayhem and moments of dumbness. In fact it's very much a safe sequel, reverting to the original formula without the classy edges of Spielberg's deft touch.

There's a likable cast fronting up the pic, with Chris Pratt as the hero carrying some olde adventure chops about him, and Bryce Dallas Howard (her natural beauty sparkling on Blu-ray) a fun femme side-kick. The writers introduce a couple of new mighty monsters to the series, hell of beasties for sure, while the photography, stunt work and musical score all impress greatly.

The Velociraptor plot line is crummy and daft, almost as daft as Bryce's high heels character arc, and the familiarity factor does grate a little at times, but it's a rollicking good time not to be taken remotely seriously like it's some sort of series disgrace. 7/10
All in all this movie brought back the franchise that started out and captured the worlds attention. From the T-Rex chasing them down the road in there jeep to the velociraptors stalking them and picking them off one by one.

Jurassic World brought the franchise back to the state of reality. (If dinosaurs were real, this would be the set up for a park and containment of dinosaurs).

Chris Pratt did a great job on not only playing his part but looking it as well. Mis. Howard did ok. It seemed like she stumbled through most of her scenes and didn't bring key emotional expressions or reactions to the scene moments. But with her OCD and control issues played up against Mr. Pratt it brought the key relationship to tie the movie together.

This is a must see movie!
Not bad
Well choreographed action set-pieces. Good effects. Dinosaurs are magnificent.

Annoyingly cliched characters. Stupid story. I thought the idea of commercialism and ethics could have and should have been explored better. A character talks about never being able to match the first part which is true. Not sure if they were trying to be funny or just self-referentially depressing.

Chris Pratt was good. Everyone else was pointless.

No where near the first. I would even prefer to watch Jurassic Park 3 than this.

★★
**Jurassic World: A Jurassic Disappointment**

As a fan of the Jurassic Park franchise, especially the first movie, I am quite disappointed with Jurassic World. I was honestly super stoked for the long-awaited sequel to Jurassic Park, but in the end, the movie lacked the charm and mysticism from Jurassic Park. From poorly-developed characters (with the exception of Chris Pratt's Owen Grady) to idiotic plot elements, Jurassic World's only saving grace is the fact that it's a sequel to Jurassic Park.

The dinosaurs honestly look awful and pale in comparison to the dinosaurs in Jurassic Park. The CGI is so obvious and doesn't look realistic at all. Jurassic Park found the right balance of practical effects and computer-generated imagery, giving viewers the feeling that the dinosaurs feel so life-like. Jurassic World basically uses minimal practical effects in favor of CGI galore. It's sad that a 1993 movie has better CGI than a movie made in 2015.

Claire and her nephews Gray and Zach, are cheap imitations of John Hammond and his grandchildren Tim and Lex. Claire is primarily motivated by greed and exploiting the dinosaurs. Hoskins just wants to use the dinosaurs as military weapons. Dr. Henry Wu is a bit more antagonistic, revealed to be secretly creating hybrids for Hoskins as military weapons. The only character that's given some form of development is Owen Grady, played by Star-Lord a.k.a Chris Pratt. His motivations are for researching Velociraptor behavior and actually treats the dinosaurs like living creatures and not just exploited science experiments. Honestly the only redeeming factor throughout the entire movie.

The Indominus Rex tricks the personnel into thinking it's escaped confinement by clawing away at the top of its enclosure. They somehow believe the dinosaur escaped, but wouldn't security be alerted right away? The enclosure doesn't come equipped with bells and whistles? To much surprise (not), the Indominus is actually inside the enclosure with them. This idiotic plot choice allows the Indominus to escape.

Zack and Grey revisiting the original site of Jurassic Park brought back so many nostalgic memories of Jurassic Park. One of the best moments of the entire movie, absolutely loved when they picked up the Jurassic Park banner and the goggles used by Tim. But what killed the moment was when they managed to get the original Jeep started. It's been sitting for over 20 years, non-operational. But for plot convenience, they learned how to fix vehicles previously.

I thought the assault upon the park attendees by the pterosaurs was chilling, swooping up people in the process. Gave a sense of terror that you could actually feel. One of those people being Zara, Claire's assistant. She is attacked by a pteranodon and then eventually eaten alive by the mosasaurus. Her death was just way too drawn out and totally undeserving. A death like this should have been reserved for the villain.

The final battle between the Indominus Rex and Owen's pack of surviving Velociraptor brought me back to the battle between the T-Rex and raptors in Jurassic Park. Then Claire brings out the T-Rex, the very same one from Jurassic Park, and manages to outrun the T-Rex IN HEELS. I was rooting for the T-Rex to win, then the Mosasaurus swoops up and drags the Indominus into the lagoon.

Though this movie attempts to bring back the Jurassic Park charm, it ultimately fails to capture that same magic. Unlike The Force Awakens, another similar movie that calls back to its roots, Jurassic World managed to be much worse than its source material. You feel no true connection to the characters or dinosaurs, the excitement factor is gone, and the music is not memorable at all.

My Rating: 5.5/10.0
Most assuredly the best sequel to _Jurassic Park_, but it doesn't touch the original. "Not being as good as a different movie" is not what's bad about _Jurassic World_ though, what is though is the dropped plotlines, unlikeable characters, haphazard mixing of respect and disrespect for the original at random intervals, a **complete** lack of chemistry between any two characters whatsoever, but most of all the romantic leads, underdeveloped arcs of both characters and story, more Deus Ex Machinas than you can shake a stick at, and some of the most painful dialogue I've seen in a Hollywood flick all year.

But there's Bryce Dallas Howard proving (when given the chance) she's an acting force, which was a particularly pleasant surprise given that the last thing I saw her in was _Spider-Man 3_. Chris Pratt doesn't for a moment make you believe he is anyone other than Chris Pratt, but Chris Pratt is a pretty rad dude so that's more or less a chip in the film's favour.

It also has dinosaurs, so there's that.

_Final rating: ★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

[Watch] Your Name. Rent Online 2016

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