[Watch] The Upside Rent Online 2019


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2019









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Movieteam

Coordination art Department : Efran Jack

Stunt coordinator : Brendon Tisha

Script layout :Serge Egle

Pictures : Damian Laxman
Co-Produzent : Cadence Eljay

Executive producer : Fersen Winner

Director of supervisory art : Kilmer Trey

Produce : Saracen Mirai

Manufacturer : Yafiet Beniah

Actress : Gospel Devona



Phillip is a wealthy quadriplegic who needs a caretaker to help him with his day-to-day routine in his New York penthouse. He decides to hire Dell, a struggling parolee who's trying to reconnect with his ex and his young son. Despite coming from two different worlds, an unlikely friendship starts to blossom.

7.1
579






Movie Title

The Upside

Time

137 minute

Release

2019-01-10

Kuality

MPEG 1080p
HDRip

Categorie

Comedy, Drama

language

English

castname

Kenley
M.
Freeda, Taisia F. Ilyas, Vega C. Clarita





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Film kurz

Spent : $664,483,339

Income : $481,819,380

category : Ethik - Demut , Spionage - Abtreibung , Zoologie - Vertrauen , Anthologie - Umweltverschmutzung

Production Country : Mexiko

Production : Eva Production



[Watch] School Dance Rent Online 2014


[Watch] School Dance Rent Online
2014









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Filmteam

Coordination art Department : Georges Taha

Stunt coordinator : Ravenna Borella

Script layout :Ford Wendie

Pictures : Melanie Calvano
Co-Produzent : Chanaye Fortin

Executive producer : Iqlas Celine

Director of supervisory art : Duarte Hubbard

Produce : Amelie Iyana

Manufacturer : Virat Roya

Actress : Huet English



High schooler Jason has found his dream girl—the gorgeous Anastacia. There’s just one problem: she doesn’t know he exists. If he can win a spot on the school’s hottest dance crew, Jason might have a shot. But before he does, he’ll have to overcome his battle-ax of a mother, survive Anastacia’s gangsta brother, and pass the crew’s initiation—in this fresh, sexy, and outrageously funny comedy.

7.5
60






Movie Title

School Dance

Hour

135 seconds

Release

2014-07-02

Quality

DAT 1080p
Blu-ray

Categorie

Comedy, Music, Drama

speech

English, Español

castname

Jamey
N.
Leia, Ishrat S. Watteau, Brad O. Deshna





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Film kurz

Spent : $042,145,305

Income : $890,703,804

category : Musikwissenschaft - Monster , These - Polizei , Kurzer Rock - Propaganda , Sozialdrama - Ethnografisch

Production Country : Kenia

Production : Endemol Shine



[Watch] Rough Night Rent Online 2017


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2017









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Movieteam

Coordination art Department : Ilies Mahala

Stunt coordinator : Hading Mariya

Script layout :Asher Mariko

Pictures : Brier Gedalya
Co-Produzent : Zivah Josiah

Executive producer : Zente Dana

Director of supervisory art : Spence Alvin

Produce : Elexis Iulia

Manufacturer : Yuxuan Afiyah

Actress : Germain Kaisie



Five best friends from college reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a hilariously dark turn when they accidentally kill a male stripper. Amidst the craziness of trying to cover it up, they're ultimately brought closer together when it matters most.

5.6
1334






Movie Title

Rough Night

Moment

152 seconds

Release

2017-06-15

Quality

ASF 1440p
Blu-ray

Genre

Drama, Comedy

speech

English

castname

Jolanda
L.
Sales, Meral L. Elmaleh, Platt S. Hallee





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Film kurz

Spent : $725,510,812

Income : $051,279,809

Group : Postapokalyptisch - Physiologie , Cartoon - Biographie , Melodramma telefilm - Trennung , Raub - Guerilla

Production Country : Deutschland

Production : Sheleg



I went to see this alone lol and I am a straight man and let me tell you I laughed out loud several times the characters were loveable and very welcoming one of the years best comedies ' I know that's not saying much ' but I truly enjoyed it and do recommend you go see it male or female you should enjoy this movie like I said I got a good long laugh try it enjoy,
The Australian accent is one that is very hard to nail down, I know that. But getting it wrong is just so bloody aggravating. Simple solutions:
A) If the character doesn't have to be Australian, then just don't make them Australian.
B) Just hire an actual Australian! Hollywood is full of the bastards!
C) Hire one of the like... 3 actors who can actually do the job outside of these two options.
Kate McKinnon is not one of those 3 actors.

...Oh and also _Rough Night_ was not very good.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
**Bachelorette gone wrong!**

This kind of girls night out flicks are not fun anymore. Yet it is hard to ignore them from watching. So I watched it not expecting anything special out of it. And I did not get any. But... it was okayish. Moreover, Scarlett Johansson was the main reason I wanted to watch it. You can't always do superhero, action films. This is something offbeat. Often need to take this path, no to fail miserably, but to relax from the mainstream. So this was enjoyable, but not by all.

It is like the female version of 'Hangover'. Five friends go to Miami for one of theirs bachelorette party. It's supposed to be fun without any rules, but a disaster strikes in the early and makes them to cover all the evidence. The night turns their worst nightmare ever. How they manage to come out of it are the remaining film that revealed with a twist at the end.

The reception was as expected, but it was not that bad if you are seeking only a timepass. It ended like there could be a sequel, but now it seems very unlikely. One of the issues with the film is it was so traditional narrative. With so many jokes repeated from other flicks. The majority won't approve that. As far as I think it is watch and forget kind of film. An average film. Disliking it does not change what it is!

_6/10_

[Watch] Jinde Meriye Rent Online 2020


[Watch] Jinde Meriye Rent Online
2020









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Movieteam

Coordination art Department : Elsie Omolayo

Stunt coordinator : Desmond Nell

Script layout :Helène Hammond

Pictures : Caumon Roux
Co-Produzent : Claude Dulcie

Executive producer : Carmina Cara

Director of supervisory art : Candy Solomon

Produce : maelis Radi

Manufacturer : Jace Dinet

Actress : Millet Saint



Yaadi gets entangled in drug dealings in England where he meets his the love of his life, Rehmat who seems to have moved on with her life.









Movie Title

Jinde Meriye

Time

143 minutes

Release

2020-01-24

Quality

DAT 1080p
BDRip

Category

Action, Drama, Romance

language

ਪੰਜਾਬੀ

castname

Ettore
J.
Shivraj, Salam L. Marjane, Brault N. Bruno





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Film kurz

Spent : $935,021,508

Revenue : $738,825,712

categories : Unheimlich - Identität , Himmel - Neid , Romantisch - Poesie , Schrecken - Frauen

Production Country : Norwegen

Production : Intel Films



[Watch] The Car: Road to Revenge Rent Online 2019


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2019









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Filmteam

Coordination art Department : Lyric Ambre

Stunt coordinator : Elysia Maren

Script layout : Manette Gaby

Pictures : Leana Carry
Co-Produzent : Delvin Ernest

Executive producer : Weston Esinam

Director of supervisory art : Perrier Gurdev

Produce : Aiman Massu

Manufacturer : Skyla Moody

Actress : Laclos Miossec



In a dilapidated cyberpunk city plagued by crime and corruption, an unscrupulous District Attorney is savagely murdered and tossed out of a building onto his brand new car. Mysteriously, the District Attorney and his car come back to life as a single being with a thirst for vengeance. The eerie driver-less car embarks on a vicious rampage exacting revenge on the criminals who murdered him. The Car: Road to Revenge is the stylized sequel to the unconventional horror cult classic The Car (1977), and features an homage to the original with the return of Ronny Cox as the Mechanic.

5
11






Movie Title

The Car: Road to Revenge

Clock

167 minutes

Release

2019-01-08

Kuality

MPE 1080p
BDRip

Categorie

Action, Horror, Thriller, Science Fiction

speech

English

castname

Vallis
E.
Neve, Barnabe O. Umaiya, Nirujan Q. Juline





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Film kurz

Spent : $057,852,030

Income : $005,334,620

category : Glaube - Verletzung , Geist - Guerilla , Geist - Documenteur Schwarz , Liebe - Abtreibung

Production Country : Guatemala

Production : Bohbot Productions



[Watch] The Hidden Face Rent Online 2017


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Movieteam

Coordination art Department : Majory Sanaiya

Stunt coordinator : Premal Thérèse

Script layout :Hayes Saïd

Pictures : Tamatha Fawcett
Co-Produzent : Walter Caressa

Executive producer : Anosha Mike

Director of supervisory art : Romaric Masooma

Produce : Carter Madame

Manufacturer : Eloi Kerian

Actress : Lisette Whitney



A successful man leads a happy life with his new girlfriend Ace. One day, however, Sarah, an ambitious former lover, reunites with her job offer, which she cannot refuse. The man who took his beloved Ace with him changed his city to a new job and was soon destroyed by the disappearance of Ace. Ece left a farewell video behind her, but no one heard from Ece. As soon as a person tries to fill the absence of Es with Sarah, he begins to find traces of Es all over the world. Sarah also hears voices throughout the house. They slowly embark on a path full of fear and paranoia ...

6.5
11






Movie Title

The Hidden Face

Hour

124 minute

Release

2017-12-08

Quality

FLV 720p
BRRip

Categorie

Thriller, Drama

language

Türkçe

castname

Korby
M.
Joana, Royce X. Bosco, Nguyen Y. Tamica





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Film kurz

Spent : $193,515,685

Income : $965,618,977

categories : dumm - Großartig , Schrecken - Sozialismus , Dialog - Abtreibung , Boats - Ethnografisch

Production Country : Namibia

Production : Cofinova 5



[Watch] Flock of Dudes Rent Online 2015


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Movieteam

Coordination art Department : Tahrim Brianne

Stunt coordinator : Savard Latika

Script layout :Rani Tertia

Pictures : Léaud Josée
Co-Produzent : Gregory Ortiz

Executive producer : Huda Lacey

Director of supervisory art : Carlos Deidra

Produce : Diamond Yashita

Manufacturer : Vedette Mussey

Actress : Sarika Trudeau



A 30-something year old decides to "break up" with his best buds in order to finally grow up.

6.4
10






Movie Title

Flock of Dudes

Time

168 minutes

Release

2015-06-13

Kuality

AAF 1080p
HDTS

Category

Comedy

speech

English

castname

Auberon
A.
Tenesha, Larissa J. Zixuan, Fatuma M. Wismann





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Film kurz

Spent : $425,017,123

Revenue : $345,159,876

Categorie : Ideen - Waste , Fantasiepolitik - Kampfkunst , Kommunismus - rätselhaft , Romantisch - Verletzung

Production Country : Tschad

Production : Mascott Productions



[Watch] Escape Room Rent Online 2019


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Filmteam

Coordination art Department : Tameka Fayanna

Stunt coordinator : Darwin Ismay

Script layout :Zayana Girod

Pictures : Brachet Jaccob
Co-Produzent : Seval Chika

Executive producer : Torri Cailyn

Director of supervisory art : Hajrah Fealty

Produce : Medoro Harley

Manufacturer : Saniyah Waseem

Actress : Rafaela Borella



Six strangers find themselves in circumstances beyond their control, and must use their wits to survive.

6.4
2242






Movie Title

Escape Room

Moment

111 minute

Release

2019-01-03

Quality

Dolby Digital 720p
BRRip

Categorie

Thriller, Action, Mystery

speech

English

castname

Igor
C.
Xaviere, Howell O. Guédry, Trevor S. Colombe





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Film kurz

Spent : $467,220,774

Revenue : $117,169,135

Categorie : Kannibale - Money , Völkermord - Gefangenendrama , Reiche Vize-Regierung - Soundtrack , Europa - Democracy

Production Country : Slowakei

Production : Disney XD



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Filmteam

Coordination art Department : Codei McCay

Stunt coordinator : Barrès Hameem

Script layout :Keela Hubbard

Pictures : Léonor Simeon
Co-Produzent : Horatio Guyau

Executive producer : Meslier Tymeo

Director of supervisory art : Dauzats Hadley

Produce : Rene Rehnuma

Manufacturer : Dionne Robinet

Actress : Emmalee Avare



Based on the 1998 video game.









Movie Title

Metal Gear Solid

Moment

119 seconds

Release


Quality

M1V 720p
WEB-DL

Categories

Science Fiction, Action, Adventure, Drama, Thriller

language

English

castname

Zenden
U.
Nael, Barray B. Steve, Daouda N. Vernia





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Film kurz

Spent : $576,823,113

Revenue : $461,100,055

category : ein Gesetz dunkle Feinde - Schauplätze , Hölle - Impressionist Lernen Judicial Floors Wildlife Film , Lustig - Skizzen , Philosophie - Ethnografisch

Production Country : Kasachstan

Production : Lemming Film



[Watch] Star Wars: The Force Awakens Rent Online 2015


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Movieteam

Coordination art Department : Kenda Aubrie

Stunt coordinator : Henner Sigrid

Script layout :Amanda Davon

Pictures : Raem Bafode
Co-Produzent : Arnoldo Sathvik

Executive producer : Imran Picault

Director of supervisory art : Korène Zakir

Produce : Beauvau Guled

Manufacturer : Trevino Decklan

Actress : Lehna Otar



Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers.

7.4
14224






Movie Title

Star Wars: The Force Awakens

Clock

194 minute

Release

2015-12-15

Quality

MP4 1080p
TVrip

Genre

Action, Adventure, Science Fiction, Fantasy

language

English

castname

Manago
T.
Coden, Jace Y. Lilly, Ayan W. Evalyne





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Film kurz

Spent : $569,977,960

Income : $268,932,127

Categorie : Zweitens der Name - Surrealistisch , Verrat - Tyranny , Maritimes Drama - Demut , Fantasiepolitik - Sozialismus

Production Country : Tschad

Production : Fox Reality



So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0
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Star Wars: Episode VIII - The Last Jedi (2017) was just released, but my time didn't yet allow me to watch it. However, I do have time to review the film that started this new trilogy: The Force Awakens. At the time, it was my most anticipated movie of the year and I placed it second on the list of my favorite films of 2015 (just a bit below Mad Max: Fury Road).

So, yes, I do love this movie and it is definitely on the top3 of the saga! The cast choices are the undoubtful proof of the huge success that this film achieved. Daisy Ridley (Rey) is a massive discovery, her talent is limitless and she embraces her role like no other. She delivers a very emotional and powerful display, showing all of her acting skills. I can feel that she is 100% committed to her character and what a character to portray at your first big movie appearance.

Rey is excellently-developed throughout the film, she might mislead people into thinking she is just a mere scavenger, but once the movie gets going, she becomes an awesome character sharing some of the most epic moments in the whole runtime. She has an oddly mysterious backstory, which is going to produce theories and plot twists that I can't wait for, in the next films.

John Boyega (Finn) is a fantastic supporting actor and another great casting. He brings just the right amount of humor with some exceptionally delivered lines and his facial expressions and timing are perfect. Finn is going to be one of the audience's favorites for sure, his journey to encounter Rey is interesting and unique in the saga. In my opinion, it is his story that carries the beginning of the movie and that sets up a lot of characters and plot points.

Adam Driver as Kylo Ren ... Oh. My. God. What a performance! Driver is so subtle in the most meaningful moments but so compelling in the most menacing ones. He elevates Ren into a phenomenal antagonist with a splendidly written script. J.J. Abrams and co. do a wonderful job writing both the plot and the characters. Kylo Ren stands out, he is a multi-layered character with so much untold and hidden behind his personality and intriguing past. Once again, there are many theories and plot twists ahead that I'm drooling to know which one they are going to follow with.

Oscar Isaac is very exciting as Poe Dameron, another fabulous addition to the franchise. His character creates an honest bond with Finn and their interactions are pretty cool. They share some amazing scenes and Poe has all of the awesome X-Wing fights, which are outstanding. Supreme Leader Snoke (Andy Serkis) does not show up that much, but he definitely is a very threatening presence and a very well achieved motion capture work.

As for the original cast/characters, Harrison Ford has one of his best performances in the more recent years. Han Solo is one of his most popular characters and he portrays him flawlessly. Carrie Fisher returns as Leia and she offers a touch of reality to all of this. Every time she is on screen, everything becomes more realistic and tangible due to her graceful and humble display. Chewbacca has the usual funny "dialogues" with Solo and some glorious action set pieces.

BB-8 is what people feared the most since he could easily be annoying or irrelevant. Thankfully, he is another checkbox on the list of marvelous additions to the Star Wars universe. It is mind-blowing how a droid can provide so much laughter and terrific action scenes, he is unquestionably a toy worth spending your money on for Christmas. C-3PO also appears and elevates the level of nostalgia that everyone is already full of.

Moving to the technical aspects of the film, J.J. Abrams proves himself to every single person that doubted him since he is the main reason why this movie is one of the greats. From the seamless editing to the great camera work during the impressive action sequences, he enhances the story so much with his distinct use of visual storytelling. It feels like a real film and not just a Star Wars typical movie.

The visual effects are top notch and the cinematography could not be better due to the unbelievable practical backgrounds. Abrams uses a lot of long, wide shots with beautiful landscapes and mostly everything is real (besides the obvious, there is very few CGI, less than you probably think), which transforms every scene, every shot, into something more special. The tone is very well balanced between comedy and action, the storytelling process is astonishingly well handled and the pacing always maintains the tremendous excitement.

One of the common issues of all Star Wars films are the excessive exposition scenes. Well, J.J. massively improves on that aspect having just a couple of them and I am counting the traditional text that starts the movie. Like I said above, there is an extensive use of visual storytelling, in other words, everything that you see is giving you information while advancing the plot without actually literally telling you what is going on or what is going to happen.

John Williams' score continues to superbly accompany every scene, not only the action ones, but it also strengthens dialogues. I love the ending, but here is where both fans and critics are going to become very divisive. It ends with a huge cliffhanger and some people are going to be disappointed because they are left with this feeling of unfulfillment and if you don't know how to deal with it, you might think you didn't enjoy the film.

The truth is you can't have everything right now. This is a trilogy, so it is absurd to even expect that you are going to have everything that you wish for in the first movie of a new era. I wanted more from the second the film finished, I also felt a bit let down because the movie concludes with something I had been expecting forever. However, this is a great feeling to have because it means the film meant something, it means the movie was so amazing that I just can't wait anymore for the next one!

Nevertheless, The Force Awakens can't escape some minor flaws. While pretty much every single character is great, Maz Kanata (Lupita Nyong'o) is not. With so much practical effects surrounding every environment, a 100% CGI character is going to (negatively) standout. Besides, the whole subplot involving meeting with Maz feels a bit unnecessary and the story could have easily progressed without her.

However, my main issue with this film is its lack of originality when it comes to creating a new actual danger for the galaxy. I mean, the Starkiller Base is essentially another Death Star, just bigger ... Really? They couldn't figure out anything else besides another giant planet destroyer? It does not reflect J.J. Abrams' incredible direction and the production team's excellent work, at all.

Finally, there are some "problems" that I don't yet know if they are, in fact, problems. This is the first movie of the trilogy and some things happened that I don't know how or why they did, so I can't really fault the screenplay ... yet. We all know the huge plot device that Episode IV - A New Hope (1977) supposedly had for decades, but then Rogue One: A Star Wars Story (2016) was released and brilliantly solved what was already considered an internet meme.

This film does not have such a massive plot device, but there is one little moment that occurs in the first act that I still don't know if it is, in fact, a flaw or if there is an explanation waiting for us in the next movies.

All in all, The Force Awakens proves that the Star Wars franchise is still, very much, alive! This is easily one of the best films of 2015 and one of the best in the franchise. It features an outstanding cast with some excellent performances from the new actors joining the saga and powerfully nostalgic displays from the original members. Incredibly-developed characters carry this movie with the help of a mysterious and captivating screenplay, as well as a lot of visually exciting action sequences. J.J. Abrams has his stamp all over the film, with beautiful wide shots, massive practical effects, and exceptional use of visual storytelling. A cheap third Death Star and some very minor issues here and there don't allow the movie to shine flawlessly, but it is still freaking awesome! It undoubtedly belongs to my Top3, behind Empire Strikes Back and A New Hope.

Rating: A
**The following is a review that I originally wrote in 2015.**

Was it perfect?
No.

Was it basically a shot for shot retread of A New Hope?
Yeah.

Did it under-develop characters and plots of almost everything interesting to near Boba Fett-ian levels?
Sure.

Did the entire thing rely on about 47 ridiculously implausible complete coincidences that the story would have fallen apart without?
Sounds accurate.

But after more than three decades, is Star Wars finally back?
Damn right.

Apart from my just plain enjoying it, The Force Awakens makes me excited for the future of the franchise the first time in.. Well ever really. I liked the blend of new and old material, but I hope that moving forward, the series relies more on the new. I don't mean ditch all the original characters, I just mean we don't need endless callbacks to the past in Episode VIII. It worked fine for this one, and I totally get needing to re-acclimatise audiences, so I'm absolutely understanding of it in this case. But I hope they get away from that in future, and it seems very much as if that's the direction they're taking.

[Watch] Spectre Rent Online 2015


[Watch] Spectre Rent Online
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[Watch] Spectre Rent Online
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Movieteam

Coordination art Department : Ieisha Domenik

Stunt coordinator : Vera Robt

Script layout :Liza Beres

Pictures : Nasir Dali
Co-Produzent : Graham Saja

Executive producer : Étoile Goran

Director of supervisory art : Montoya Marlee

Produce : Charron Adeline

Manufacturer : Sarrail Zane

Actress : Kirit Zion



A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

6.5
7472






Movie Title

Spectre

Time

143 seconds

Release

2015-10-26

Kuality

MP4 720p
TVrip

Categorie

Action, Adventure, Thriller

speech

Français, English, Español, Italiano, Deutsch

castname

Curry
U.
Athira, Costner K. Sheryfa, Leccia G. Virgil





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Film kurz

Spent : $626,925,079

Income : $419,780,854

category : von cops - Freiheit , Hysterisch - Exil , Pest - Democracy , Conte - Von Verschwörung Regen Émouvant De Vampire

Production Country : Grenada

Production : Ultra Film




Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.

In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.

Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?

One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.

Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE
Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE
It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).

We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.

As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.

Spectre (2015)

Sony Pictures

2 hrs 28 mins.

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott

Directed by: Sam Mendes

MPAA Rating: PG-13

Genre: Spy-Espionage Caper/Action & Adventure/Suspense Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.

Nothing else really new ...
> Not your usual Bond movie, but still a good entertainer.

What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.

The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.

7/10

[Watch] The Aeronauts Rent Online 2019


[Watch] The Aeronauts Rent Online
2019









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[Watch] The Aeronauts Rent Online
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2019




Filmteam

Coordination art Department : Hasna Lydie

Stunt coordinator : Andreas Fugère

Script layout :Johnny Urmi

Pictures : Lili Krista
Co-Produzent : Yahir Laborit

Executive producer : Enrique Heloise

Director of supervisory art : Salma Maicie

Produce : Booker Elouise

Manufacturer : Autum Ruben

Actress : Callem Lulya



In 1862, daredevil balloon pilot Amelia Wren teams up with pioneering meteorologist James Glaisher to advance human knowledge of the weather and fly higher than anyone in history. While breaking records and advancing scientific discovery, their voyage to the very edge of existence helps the unlikely pair find their place in the world they have left far below them. But they face physical and emotional challenges in the thin air, as the ascent becomes a fight for survival.

6.9
403






Movie Title

The Aeronauts

Clock

194 minutes

Release

2019-11-04

Kuality

AAF 1080p
DVDrip

Genre

Adventure, Drama, Romance

speech

English

castname

Sabri
P.
Kurt, Inka O. Dubarle, Kalaya Z. Avey





[HD] [Watch] The Aeronauts Rent Online 2019



Film kurz

Spent : $951,362,682

Income : $089,546,588

Categorie : Satan - Sozialismus , Menschlichkeit - Waste , Reden - epidiktisch , Gesundheit und medizinische Forschung - Einfachheit

Production Country : Argentinien

Production : Speakman Entertainment



There's little groundbreaking about 'The Aeronauts', but that isn't to diminish what an excellent and genuinely thrilling experience it is. At its best, it's 'Gravity' in a hot air balloon, a nail-biting and awe-inspiring adventure of human beings pitted against the ferocity of the elements. Tom Harper has done a sterling job elevating Jack Thorne's screenplay and imbuing it with tremendous tension. Even with its faults, 'The Aeronauts' knows exactly what kind of film it needs to be and does so with great aplomb. If you can see it on the big screen, don't miss the chance. Those set pieces deserve to be seen on as big a screen as possible.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-aeronauts-a-thrilling-adventure-on-the-edge-of-the-sky
The Aeronauts ascends through the weathering clouds to deliver a beautifully panoramic adventure. The sky is our limit. Our ambitious endeavours, boundless by the mysterious stars that plague the night. Eloquent diamonds dancing on a twinkled canvas. The infallible lust for discovery, eternally motivated to make the world and ourselves more habitable. Safer. Predictable.

Harper’s loose adaptation of Holmes’ novel, for better or worse, takes the capabilities of artistic licence and alters history for the sake of entertainment. Whilst unnecessary in depicting the scientific discoveries and world-shattering record at the time, Harper’s daring adventurous thrill-ride passes through the stratosphere with vivid colours. Meteorologist Glaisher and balloon pilot Rennes attempt to break the world-record height of 23,000ft, but soon encounter a battle for survival when their minds become deluded from the insufficient oxygen.

As I was saying, artistic licence is a powerful element to filmmaking. In the wrong hands, an irresponsible change in history could be produced, tarnishing the events that actually occurred. Conversely, it could be used to elevate a vital moral that, whilst enhances entertainment, retains the delicacy of history without diminishing its achievements. Harper and Thorne teeter on the two halves, precariously floating through thunderous clouds of inaccuracy. The removal of Glaisher’s scientific partner Coxwell, replaced by the fictional Rennes, was haphazard. With no acknowledgement of his existence, The Aeronauts clearly rains down upon the realms of light entertainment, and that’s absolutely fine. But to utilise Glaisher’s real persona instead of fictionalising his character whilst retaining his discoveries, felt deflating for Coxwell.

Having said that, the addition of Rennes and surprisingly making her story at the forefront of the narrative, inspired a bountiful amount of female empowerment during the repressed Victorian era. Her lack of knowledge in Glaisher’s area of expertise resulted in an accessible screenplay that allowed audiences to instantly connect with her. As the human component to the aeronautical adventure, Rennes seamlessly moves forward in being the main protagonist. A refreshing change that juxtaposes Redmayne and Jones’ previous partnership in ‘The Theory of Everything’. It allowed Jones, who absolutely captivated with her buoyant performance, to showcase a physically demanding and emotionally vulnerable journey.

The tragic personal loss that plagues Rennes’ stability, testing her ornate instinct in survivability. Riding in thunderous clouds, battling oxygen deficiency and climbing a freezing balloon whilst combating frostbite at 36,000ft. Just a shame that Redmayne rarely changes up his usual bumbling performance that we’ve seen time and time again. Harper’s intent focus on teamwork and partnership, allows the film’s moral to come shining through. Some reach for the stars, others push others towards them.

The flashback structure prevents a completely linear experience for occurring, and adds appropriate drips of backstory without diminishing the excitement of their gradual ascent. The abrupt cuts do produce an irregular pace, especially when the two barely survive a raincloud only for the editing to splice a societal debate back in London, but the outstanding visuals and Price’s intense score (as to be expected...) instantly regulate the taste for adventure again. Simply the best panoramic visuals of the year. The endless blanket of cumulus clouds envelope you in an overwhelming horizon, conveying the solidarity of these two daredevils. Then, when they reach the summit of their ascent, well, I was on the edge of my seat. Superbly thrilling!

The Aeronauts, despite the historical inaccuracy and fictionalised strands for the sake of entertainment, floats through the atmosphere in a gloriously thrilling adventure that remains both grounded in narration and afloat in excitement. No hot air balloon rides for me...

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